Allen Tate on the Man of Letters
Source: Allen Tate, “The Man of Letters in the Modern World,” WORLD REVIEW 44 (1952): 12-18.
Source: Allen Tate, “The Man of Letters in the Modern World,” WORLD REVIEW 44 (1952): 12-18.
Source: Allen Tate, “Notes on Liberty and Property,” AMERICAN REVIEW 6 (1935-1936): 596-611.
Source: Allen Tate, “Spengler’s Tract Against Liberalism,” AMERICAN REVIEW 3 (1934): 41-47.
Source: Allen Tate, “American Poetry Since 1920,” THE BOOKMAN 68 (1928-1929): 503-508.
Allen Tate, “The Fallacy of Humanism,” HOUND AND HORN 3: 234-258.
Source: Allen Tate, “What is a Traditional Society?” THE AMERICAN REVIEW 7 (1936): 376-387.
I first read this in the fall of 1985, and it hit me hard. I was pretty much a moderate atheist at that point, but the sermon still meant a great deal to me. It’s stuck with me ever since. Plus, I love the idea of the interlude in the play.
On Easter Day, 1988, I had the great privilege of standing on the very spot where a Beckett was murdered.
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From T.S. Eliot’s MURDER IN THE CATHEDRAL.
The Archbishop preaches in the Cathedral on Christmas morning, 1170.
Sermon
“Glory to God in the highest, and on earth peace, good will toward men.” The fourteenth verse of the second chapter of the Gospel according to Saint Luke. In the name of the Father, and of the Son, and of the Holy Ghost. Amen.
Dear children of God, my sermon this morning will be a very short one. I wish only that you should ponder and meditate on the deep meaning and mystery of our masses of Christmas Day. For whenever Mass is said, we re-enact the Passion and Death of Our Lord; and on this Christmas Day we do this in celebration of His Birth. So that at the same moment we rejoice in His coming for the salvation of men, and offer again to God His Body and Blood in sacrifice, oblation, and satisfaction for the sins of the whole world. It was in this same night that has just passed, that a multitude of the heavenly host appeared before the shepherds at Bethlehem, saying, “Glory to God in the highest, and on earth peace, good will toward men”; at this same time of all the year that we celebrate at once the Birth of Our Lord and His Passion and Death upon the Cross. Beloved, as the World sees, this is to behave in a strange fashion. For who in the World will both mourn and rejoice at once and for the same reason? For either joy will be overcome by mourning or mourning will be cast out by joy; so that it is only in these our Christian mysteries that we can rejoice and mourn at once for the same reason. But think for a while on the meaning of this word “peace.” Does it seem strange to you that the angels should have announced Peace, when ceaselessly the world has been stricken with War and the fear of War? Does it seem to you that the angelic voices were mistaken, and that the promise was a disappointment and a cheat?
Reflect now, how Our Lord Himself spoke of Peace. He said to His disciples: “My peace I leave with you, my peace I give unto you.” Did He mean peace as we think of it: the kingdom of England at peace with its neighbors, the barons at peace with the King, the householder counting over his peaceful gains, the swept hearth, his best wine for a friend at the table, his wife singing to the children? Those men His disciples knew no such things: they went forth to journey afar, to suffer by land and sea, to know torture, imprisonment, disappointment, to suffer death by martyrdom. What then did He mean? If you ask that, remember that He said also, “Not as the world giveth, give I unto you.” So then, He gave to his disciples peace, but not peace as the world gives.
Consider also one thing of which you have probably never thought. Not only do we at the feast of Christmas celebrate at once Our Lord’s Birth and His Death: but on the next day we celebrate the martyrdom of his first martyr, the blessed Stephen. Is it an accident, do you think, that the day of the first martyr follows immediately the day of the Birth of Christ? By no means. Just as we rejoice and mourn at once, in the Birth and Passion of Our Lord; so also, in a smaller figure, we both rejoice and mourn in the death of martyrs. We mourn, for the sins of the world that has martyred them; we rejoice, that another soul is numbered among the Saints in Heaven, for the glory of God and for the salvation of men.
Beloved, we do not think of a martyr simply as a good Christian who has been killed because he is a Christian: for that would be solely to mourn. We do not think of him simply as a good Christian who has been elevated to the company of the Saints: for that would be simply to rejoice: and neither our mourning nor our rejoicing is as the world’s is. A Christian martyrdom is no accident. Saints are not made by accident. Still less is a Christian martyrdom the effect of a man’s will to become a Saint, as a man by willing and contriving may become a ruler of men. Ambition fortifies the will of man to become ruler over other men: it operates with deception, cajolery, and violence, it is the action of impurity upon impurity. Not so in Heaven. A martyr, a saint, is always made by the design of God, for His love of men, to warn them and to lead them, to bring them back to His ways. A martyrdom is never the design of man; for the true martyr is he who has become the instrument of God, who has lost his will in the will of God, not lost it but found it, for he has found freedom in submission to God. The martyr no longer desires anything for himself, not even the glory of martyrdom. So thus as on earth the Church mourns and rejoices at once, in a fashion that the world cannot understand; so in Heaven the Saints are most high, having made themselves most low, seeing themselves not as we see them, but in the light of the Godhead from which they draw their being.
I have spoken to you today, dear children of God, of the martyrs of the past, asking you to remember especially our martyr of Canterbury, the blessed Archbishop Elphege; because it is fitting, on Christ’s birthday, to remember what is that peace which he brought; and because, dear children, I do not think that I shall ever preach to you again; and because it is possible that in a short time you may have yet another martyr, and that one perhaps not the last. I would have you keep in your hearts these words that I say, and think of them at another time. In the name of the Father, and of the Son, and of the Holy Ghost. Amen.
End of Sermon
A review of Kevin J. Anderson, CLOCKWORK ANGELS: THE COMIC SCRIPTS (Monument, CO: Wordfire Press, 2014); from a story and lyrics by Neil Peart.
Birzer rating: 10/10.
From WordFire Press (December 2014).
Two things need to be stated before I even get into the heart this review. Well, ok, let me put this in active form, before my students yell “foul!” I, Brad, need to state two things before getting into this review.
First, one could write a long and interesting article just about the convoluted and circuitous publishing history of CLOCKWORK ANGELS. And, why not? What a fascinating history. In the beginning, CLOCKWORK ANGELS was an album by Rush (remember, though, the first two songs came out almost two full years before the album itself).
Then, it was a best-selling novel by Kevin J. Anderson and Neil Peart.
Then, it was a huge worldwide rock concert tour, a live…
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At sundown tonight. Merry Christmas, one and all!
This came today from Big Big Train:
Apologies from the band for a recent lack of email updates. Over the summer, the mailing list grew too large to manage using our Outlook email client and we were no longer able to send updates. We have now moved the mailing list onto purpose-built software and will be able to provide more regular updates.
Unfortunately, the failure of our mailing list coincided with the announcement of three Big Big Train gigs at Kings Place in London next year. All the tickets for these shows have sold out but we will be playing further gigs in future years and will ensure early warning via the mailing list and social media.
Big Big Train filmed live performances of a number of songs at Real World studios in August 2014. These performances will be released on Blu-Ray and DVD in the autumn of 2015. At Real World, the band were joined by Rachel Hall on violin and vocals and Rikard Sjöblom on guitars, keyboards and vocals. We are pleased to announce that Rachel and Rikard have now joined both the live and recording line-up of the band.
The band has written around two hours of new songs. Recording of these will be completed for album releases in 2016 and 2017. An EP, featuring three new songs, will be released in April 2015.
We would like to take this opportunity to wish you a Merry Christmas and a Happy New Year!
Andy, Danny, Dave, David, Greg, Nick, Rachel and Rikard
Big Big TrainFollow BBT on Twitter: http://www.twitter.com/bigbigtrain
Join the BBT Facebook forum: http://www.facebook.com/groups/bigbigtrain
Source: Russell Kirk, “Who Knows George Gissing,” WESTERN HUMANITIES REVIEW 4 (Summer 1950): 213-222.