For those of you who know me, you know how frustrated I am that T.S. Eliot’s The CRITERION is not readily available for researchers and interested parties. Rather than continue to complain, I’ve decided just to scan the whole darn [feel free to insert a stronger word here] thing and post every issue.
The first one–the October 1923.
Sadly, some idiot at some point in time removed pages 103-106.
I’ll have a review of Magnolia soon, but let me state it’s the best TPT album since WHAT WE HAVE SOWN.
Thanks, Brian Rocha!
|THE PINEAPPLE THIEF LAUNCHES “MAGNOLIA” ACOUSTIC PERFORMANCE VIDEO|
10th album “Magnolia” out now on Kscope
ENGLAND -U.K. rock troupe, The Pineapple Thief, has launched a clip of the beautiful title track from its new album Magnolia being performed acoustically by frontman Bruce Soord. Check out the video on the band’s Kscope page at:http://www.kscopemusic.com/artists/thepineapplethief or directly on Vimeo at:https://vimeo.com/110921949.
“Here’s a stripped back acoustic version of ‘Magnolia’ I performed in my studio recently,” commented Soord. “All the songs on Magnolia began their life this way, on acoustic guitar and vocal, so it was really nice to go back and play this song again, in the form as it was when it was born.”
Magnolia, which released last September on Kscope, can be purchased…
View original post 441 more words
In 1968 Jimi Hendrix took the stage at the Winterland Ballroom in San Francisco, and as part of the set introduced a song that had worked its way into the repertoire: “Right now we’re gonna do a song by some real groovy cats, it’s too bad they are breaking up, it’s one of the heaviest groups in the world . . . it’s not sayin’ we can play the thing better than them, it’s just sayin’ we dig the cats and dig this song and we’d like to do it our own way, which will be an instrumental jam.” The song was Sunshine of Your Love, and the group Hendrix referenced was (The) Cream.
Hendrix’s powerful instrumental take on the song caps a double tribute: Cream wrote Sunshine of Your Love on the heels of seeing Jimi Hendrix perform in London, as a response to the jaw-dropping challenge he proposed…
View original post 653 more words
Not Otherwise Specified started as a one-man project back in December 2008, led by multi-instrumentalist Craig Kerley. During the period of six years, Kerley released two studio albums: “Judgement” (2011) and “Projective Instruments” (2014). Not so long ago, Not Otherwise Specified switched to a full band, with tendency of performing live. About this and more than that, we talked with Kerley.
Do you have a specific approach when you work on a song?
I like to think of my approach to songwriting as a disorganized trial and error method. It’s kind of an out of body experience where I sort out ideas that suck from the ones that I like. I generally start out by jamming on one instrument or another and then taking pieces of that jam to create some structure. Basically, I just keep messing around with the songs until they…
View original post 929 more words
Great news this morning from Steve Babb and co.
Album Title: Strangers In Paradise
Label: Inner Wound Records
Year Of Release: 2014
Neonfly are a band that have not been on the scene for too long and yet have already managed to make quite a few waves within the burgeoning UK hard rock/heavy metal scene. Debut album ‘Outshine The Sun’ drew critical acclaim but it has been their live performances to date that have garnered the most praise. Sharing the stage with an impressive array of high-profile talent including the likes of Alice Cooper, H.E.A.T, Sonata Arctica and Pagan’s Mind, their energy and enthusiasm is seemingly what attracts the plaudits wherever they go.
Happily, this energy and enthusiasm translates onto disc and so sophomore album, ‘Strangers In Paradise’ is, I can report, a very strong and enjoyable record.
Neonfly have clearly put a lot of effort into this album over the past three years and ‘Strangers In…
View original post 746 more words
How is it November already? Here is the news:
This is a previously unreleased track from the Ghost album sessions. It’s called Blue Filter, I played it live a lot around the time when the album came out..
Available to download for the next week then it’ll be deleted 🙂 Buying music like this allows me to keep on making music.
New video – playing Big Sky for Auden Guitars
I’m selling some of the my gear on Ebay. The Kaossilator I used on the song Lake Man on the Ghost album and delay pedal from the Stabbing A Dead Horse tour.
Other than that it’s heads down writing and recording new material for new projects/Fierce And The Dead and the next solo record. One gig coming up in Milton Keynes in on the 31st January with Solstice.
Thanks for all…
View original post 6 more words
Review of Lunatic Soul, Walking on a Flashlight Beam (Kscope, 2014).
Birzer Rating: (6/10)
Let me begin by offering my Mariusz Dudas streetcred. I love Duda’s voice as well as his compositional skills. He possesses a profound sense of flow, allowing his music to move seamlessly from emotion to sentiment to feeling and back again. His voice is the kind that pulls one in, calling for full immersion. I’ve also always appreciated his lyricism, especially given that he’s not a native English speaker. He always seems to know the perfect lyric for the music and the perfect music for the lyric.
For a decade, I’ve been following his work. For a while, I thought I saw a continuity in all of his work: First Three Riverside Albums—Lunatic Soul—ADHD—Lunatic Soul. Lunatic Soul, beautiful and gorgeous in its own way, seemed the perfect interlude to accompany the drama of Riverside. For better or worse…
View original post 233 more words
Flying Colors’ sophomore release, Second Nature, may very well be the best album of 2014. If it weren’t for Big Big Train’s English Electric, I would say this may be the best album of the past ten years. It is that good. Seeing the band live only confirmed this suspicion for me. Many times, so-called “supergroups” don’t turn out to be so super. While the idea of putting some of the best musicians in the world in the same band sounds like a recipe for success, the results are often the opposite. I find it easy to believe that egos could often get in the way of making fine music. Not so with Flying Colors. This band combines some of the greatest musicians in the world, and they fit together as band members perfectly. In fact, for several of them, this band may be some of their best work. With Second…
View original post 764 more words
You may have heard the news already. . . in fact, I’m guessing almost no one in the prog world has NOT heard the news. . . . but tickets for Big Big Train live, King’s Place, August 14-15, 2015, have gone on sale. To purchase your tickets, go here: http://www.kingsplace.co.uk/big-big-train.
As most of you probably know, progarchy.com started, in very large part, as an unofficial fan site for BBT, so we’re especially proud of the band and their desire to explore their music in a live setting.
[My own desire was for them to come to the U.S., but I’m happy to have them play live anywhere. I worry a bit that I might have played a role in their deciding to play in the U.K. rather than the U.S. Several years ago, I made Greg Spawton promise that if they played live in the U.S., they would…
View original post 90 more words
Here’s the latest complaint–from the London Telegraph of all things (isn’t this supposed to be one of the respectable papers, or am I confusing it with the Daily Mail?)–to follow laments from CLASSIC ROCK mag earlier this year, a member of KISS who seems to resent much of life, and every single human who has decided to hate U2: http://www.telegraph.co.uk/men/the-filter/11089923/The-decline-and-fall-of-rock-and-roll.html
[A quick side note. You have Apple and you don’t like U2? Easy–hit the image of the album and drag it to your trash. Your Mac will then ask you if you would like to delete or hide. Deleting it actually deletes it. No offensive U2 ever need show up in your library again, and you will have accomplished this…
View original post 653 more words