Anti-Statism and Christopher Dawson
Some of my favorite Dawson quotes from BEYOND POLITICS, 1939:
The “coming together of politics and economics involved the death of the liberal State and the emergence of a new type of community which whether we call it socialist, or democratic, or fascist is essentially totalitarian since the planned organization and unitary control of the economic system inevitably means the organization and control of social activities.”–C. Dawson, 1939
The French Revolutionaries “anticipated practically all the characteristic features of the modern totalitarian regimes: the dictatorship of a party in the name of the community, the use of propaganda and appeals to mass emotion, as well as of violence and terrorism, the conception of revolutionary justice as a social weapon. . . and above all the attempt to enforce a uniform ideology on the whole people and the proscriptions and persecution of every other form of political thought.”–Christopher Dawson, 1939
”Above all the principles of personal honour and individual responsibility, which have always been the life blood of freedom in the ancient world and in medieval and modern Europe alike, must be preserved at all costs, if democracy is to be a community of free men and not an inhuman anonymous servile State.”–Christopher Dawson, 1939
”Liberty is not the right of the mass to power, but the right of the individual and the group to achieve the highest possible degree of self-development”–Christopher Dawson, 1939.
“The essential characteristic of National Socialism is to be found rather in its attempt to create an ideology which will be the soul of the new State and which will co-ordinate the new resources of propaganda and mass suggestion in the interests of the national community.” (81)
“The chief safeguard of personal liberty in democratic society has been the anarchy and disorder of capitalist individualism, but if that anarchy is to be replaced by a collective order, the resultant democratic State may be no less totalitarian in character than Italian Fascism or German National Socialism.” (84)
“What the non-dictatorial States stand for to-day is not Liberalism [classical] but Democracy, a very different thing, as the old Liberals themselves recognized. . . . Democracy has quite abandoned the unfriendly and suspicious attitude to the State that was characteristic of Liberalism. . . . It still rejects the paternalism of the old authoritarian Christian State, but it is quite ready to treat the State as a sort of universal aunt and to welcome its intrusion into the most intimate relations of life” (102-103)
“At the present day this spirit of the World is stronger than ever. It is becoming fully self-conscious and threatens to absorb the State and to constitute itself as the universal order of human life–A Church-State which would be the Kingdom of Antichrist. And hence the Christian Church to-day is the ally of the State in a new sense, because it is only so long as the State continues to exist as something separate from the community–an organization with definite functions and limited responsibilities–that the Church itself can maintain its right to exist.” (113)
For your listening pleasure!
So Mr Andy Tillison is definitely back in the aether! His legendary radio show Dance On A Volcano has been revived on the no 1 radio station Progzilla Radio! The first show is to be found as podcast right here!! Enjoy, folks!!
Inmateria (2015): “The Flame on the Sea” and “The Problem of Evil” @inmateria_
Argentine-Chilean vocalist Solange Sosa is here to remind you that you can buy your own copy of Inmateria‘s excellent 2015 album here or here, or else listen to it in its entirety via online streaming.
Inmateria (2015):
“La llama en el Mar” (“The Flame On The Sea”)
1. Preludio (Instrumental) [01:54]
2. Lejos De Aquí [05:19]
3. Anormal [04:48]
4. La Inocencia (Instrumental) [02:48]
5. Fuera De Lugar [04:07]
6. En La Oscuridad [07:16]
7. La Búsqueda (Instrumental) [01:56]
8. Un Paso Atrás [03:57]
9. Flotar [07:01]
10. Epílogo (Instrumental) [02:58]
11. El Problema Del Mal [10:34]
Neal Morse T-Shirt On Sale: This Weekend Only
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New World Man: Dave Kerzner
New World Deluxe by Dave Kerzner
By Alan Dawes. Rating 10/10
Kerzner’s debut solo album, NEW WORLD (deluxe).
The standard version of New World was released last December, even though it was released so last in the year it had enough impact to finish in the top 10 albums for 2014 in Prog magazine readers poll.
The deluxe version of this incredible album has just been released and I truly believe it should top the readers poll this year. It would be an amazing achievement as it faces tough competition from Steven Wilson, Steve Hackett and David Gilmour.
For those of you unfamiliar with Mr Kerzner and this project, here is a brief history lesson.
Dave Kerzner first came to peoples notice as a member of Thud and then Giraffe which were both projects by the late, great Kevin Gilbert. After Kevin’s untimely death, Dave continued to write songs but…
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Throwing Copper: 20 Years Later
I suppose when Live first emerged on the rock scene, they were categorized as Christian grunge? Of course, I’m not exactly sure if they were Christian or not.
Pain lies on the riverside
And Pain will never say goodbye
Pain Lies on the Riverside
So put you feet in the water
Put your head in the water
Put your soul in the water
And join me for a swim tonightI have forever, always tried
To stay clean and constantly baptized
I am aware that the river’s banks are dry
And to wait for a flood
Is to wait for life
I assume these are somewhat confessional, evangelical lyrics. But, maybe the members of Live were just taking a point of view? Certainly, the language on their albums is R-rated and, at times, rather sophomoric: “She’s a bitch, but I don’t care–everybody deserves some change”. So, who knows? Not that Christians can’t belt out a foul words from time to time. . . .
And, yet, whatever religious or anti-religious or possibly just tacky side the band possessed, they could also craft gorgeous and meaningful rock songs.
One of my favorite rock albums of the 1990s was Live’s THROWING COPPER (1995). It’s hard to believe the album is 20 years old, as the music and the production have nicely stood the test of time. Putting THROWING COPPER on the stereo does not evoke nostalgia but freshness. Really, these songs sound as crisp today as they did two decades ago. Not that it’s perfect. Indeed, the lyrics (just referenced) to “Waitress,” for example, are downright embarrassing and a bit painful. The same is true with “Shit Towne.”
Yet, take the opening track to the “Dam at Otter Creek.” Simply astounding, driving, no compromise rock. While not lyrically complex, they do very effectively offer a drama of one time and one place a time and place that, through this song, has now become eternal. A death and a burial. Simple, yet universal.
“I Alone,” track three, offers a penetration look at tyranny and control, perhaps from religious manipulation. The anger in the song is palpable, as it should be.
Track five, “Lightning Crashes,” deals with the glories and horrors of birth and death. Angels appear, but it’s unclear if they’re agents of mercy or agents of death.
Track seven, “All Over You,” is simply an east coast version of a Pearl Jam-style tune. Very effective.
Track nine, “T.B.D.” has a great bass line, very U2ish. And, here, the lyrics are, again, evocative of ecstasy and frustration.
After their 1997 album, SECRET SAMADHI, I lost track of the band.
Solemnity of St. Joseph the Worker
Every year on March 19th, my mother’s side of the family, the Volga (Russian) Germans, recited their prayer/vow to God.
O God, whose attribute it is to be always merciful and to spare, protect us through the intercession of St. Joseph from crop failures. In order to make ourselves, at least to a certain extent, worthy of this grace, we solemnly vow to keep the feast of St. Joseph as a holy day of obligation for all time and to spend some hours of that day in public prayer.
In May, they celebrated Spring for three days. Elaborately dressed, they formed long processions and marched throughout the fields asking for God’s blessing to protect them from nature’s wrath. They prayed for “the powers that be to preserve the growing crop, destroy grasshoppers, worms and bugs and finally to mature the grain, allow a bountiful harvest and furnish a high-priced market.”
Happy Feast Day, Volga Germans! And, as an aside, my middle name comes from the great saint.
The Sparking of Memory: a review of the new album by The Tangent
The Tangent, A SPARK IN THE AETHER (Insideout Music, 2015).
Tracks: A Spark in the Aether; Codpieces and Capes; Clearing the Attic; Aftereugene; The Celluloid Road; A Spark in the Aether (Part 2)
The Tangent: Andy Tillison; Luke Machen; Theo Travis; Jonas Reingold; and Morgan Agren.
So let’s get the caveats out of the way first shall we?
I’m not a musician, I can’t play a note unless its accidental, and a time signature is some bloke’s name written on a watch face … but I do love music and have tried my best to keep in touch with my love throughout my life.
But I lost touch with many things when I moved away from England. Although I had one of those embarrassing ’Oh, how are you doing these days?’ conversations with a magazine stand after a fleeting visit back to the home country. That shuffled, toe-gazing mumbling was…
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