As a reviewer it is sometimes difficult to stand back from an album that you are reviewing and be objective, not let your personal feelings, or things that are happening in your own life colour your perception of the album, and make the review all about you, and not about the album. Sometimes however the parallels between the album and experiences you have had or are going through make this difficult, and it seems that with every track the artist has seen into your soul and written songs all about you. This is where I come into Elbows new long player, the Take off and Landing of Everything. For the uninitiated Elbow are a Lancashire based quintet of Guy Garvey, Mark Potter, Craig Potter, Richard Jupp and Pete Turner, and have been working as Elbow since 1997. The Take off and Landing of Everything is their 6th studio album, and…
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At least so it seemed. The calendar said it was still February, so officially were still in winter. But Winter 1981 in Lexington, KY, was unseasonably warm.
On that fateful afternoon, I met up with my friend Greg Sims at the end of the school day. We hopped into his Chevy Monza (or, ‘The Monza-rati’ as we called it) and he drove me over to the K-Mart on New Circle Road. I went in, quickly located a copy of the new Rush album, Moving Pictures, made my purchase, and headed back out to the car. Greg gave me a ride home, and then took off, as he had to work while I had the night off from my job.
I don’t remember the exact day it was when I made this purchase, but it likely was the same day the…
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The first Rush album I bought was A Farewell To Kings – it was a cutout*, and I had heard they were a pretty good progressive rock trio. Geddy’s vocals turned me off initially, but Neil’s lyrics were very intriguing. The next album I acquired was Permanent Waves, because “Spirit of Radio” was all over the radio, and Geddy’s voice had mellowed a bit. That album remained in permanent rotation on my dorm room’s turntable for months, and I still listen to it often. Moving Pictures upped the ante even more, and Rush were becoming one of my all-time favorite bands. However, to my ears Signals was a letdown – the pervasive whoosh of synthesizers seemed to overwhelm Alex’s guitars, and the melodies weren’t as memorable as those in Moving Pictures. So I skipped Grace Under Pressure, convinced that Rush’s…
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Time has come to finally disclose my new project… it will be a collaboration between my favorite female singer Anneke van Giersbergen and me! Expect an epic concept double album, a combination of ‘classical meets metal’ and ‘acoustic folk’. More details later!
A progarchist take: God bless the Dutch. Yes!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
H301, Founding of the American Republic; Birzer
Study Guide for the Final, 2014
Section 1: Essay. Worth 40% of your final exam grade.
When asked about the sources influencing the writing of the Declaration of Independence, the venerable third president of the United States answered: “This was the object of the Declaration of Independence. Not to find out new principles, or new arguments, never before thought of, not merely to say things which had never been said before; but to place before mankind the common sense of the subject, in terms so plain and firm as to command their assent, and to justify ourselves in the independent stand we are compelled to take. Neither aiming at originality of principle or sentiment, nor yet copied from any particular and previous writing, it was intended to be an expression of the American mind, and to give to that expression the proper tone and spirit called for by the occasion. All its authority rests then on the harmonizing sentiments of the day, whether expressed in conversation, in letters, printed essays, or in elementary books of public right, as Aristotle, Cicero, Locke, Sidney, etc.”
- The greats of the classical world, Protestantism, Lockean liberalism, and whiggism profoundly shaped the American mind during the founding of the American republic. Trace and compare the influence and significance of two of the four on the creation of the American mind, 1764-1806.
Section 2: I.D.s./Definitions There were will be four possible terms on the exam; you will need to answer 3 (and only 3) of them. Each one will be worth 10% of your final examination grade.
- Alexander Hamilton
- Articles of Confederation
- Cato (18th-century editorialists)
- Cato: A Tragedy
- Committees of Correspondence
- Commonwealth Men
- Conventions (extra-legal) and Associations
- Declaration of Independence
- Edmund Burke
- Federalist-Miami War
- First Continental Congress
- George Washington
- Intolerable Acts
- James Madison
- James Otis
- James Wilson
- John Adams
- John Dickinson
- John Locke
- Lewis and Clark Expedition
- Newburgh Conspiracy
- Northwest Ordinance
- Pacificus-Helvidius Debates
- Quebec Act
- Sam Adams
- Second Continental Congress
- Stamp Act
- Thomas Jefferson
- Townshend Acts
- Writs of Assistance
Section 3: Short answers: multiple choice; fill-in the blank; quote identification; etc. Worth 30% of your final examination.
Having finally turned the corner on a brutal, 11-day (and counting) cold, I feel up to getting back to my blogging routine. First up: a followup to last month’s post, “Why So Little Decentralization?”
To review, that post posed a puzzle (a problem for political scientists to ponder, you might say). The puzzle is this: developing countries are far more centralized than developed countries. That is so despite the fact that some developing countries are much larger and more diverse than developed countries, and many of them have now been democratic for quite some time. Furthermore, if decentralization were simply a relict of post-medieval state-building (some might venture that sort of claim about Switzerland, for instance), then the fact that developing countries have lower state capacity and a more recent independence than almost all developed countries deepens the puzzle.
I went through two explanations that do not actually explain the…
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[Hillsdale College, Convocation Address, April 16, 2009]
President Arnn, colleagues, students, and guests, I thank you profoundly for asking me to speak.
Today is Easter Thursday, 2009, and we have passed beyond, at least in this Christian liturgical season, the time of great darkness, the time known as Tenebrae, the hours after 3pm on Good Friday, the moment when the world shook with the absence of grace. The extinguishing of light, candle by candle; the stripping of the altar; the beating of the books; the departure from the chapel in a deafening silence.
Still, if we look at the state of the world, the state of our republic, the state of western and American culture, we still seem to be lingering in Tenebrae, the darkness absent of grace. Hovering, circling, peering into the abyss, too timid to jump in, not strong enough to walk away. Easter Day…
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[A review of Glass Hammer, ODE TO ECHO (Sound Resources, 2014). Please excuse any typos. I composed this on my ipad while waiting for a very, very delayed flight at the Detroit airport.]
For Glass Hammer, ODE TO ECHO means two things. First, and vitally, it’s a reference to a story of antiquity by Heroicus and dealing with the greatest of warriors, Achilles. Second, it’s a tribute to two decades of success as a band.
In every way, this album is packed with brilliance, beauty, and treats around every corner.
One of the most noticeable features of Glass Hammer’s latest, ODE TO ECHO, is its sheer diversity of styles and moods. Having four lead vocalists and three backup ones adds significantly to this, and it provides a wonderful listening experience. Over the course of eight songs, Babb and Schendel provide a journey into the fantastic and mythic. One could never…
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Everyone’s favorite artists from Norway have released an eighth studio album, two years in the making. And, not shockingly, it’s brilliant, stunning, and ingenious. If NIGHT is the Poetic Edda of modern progressive rock, DEMON is the Prose Edda.
Our own progarchist editor, Craig Breaden, has already offered his always excellent thoughts on the album, but I can’t let a Gazpacho release go by without also discussing it. So, please consider this review a supplement to Craig’s, certainly not a replacement.
As with every Gazpacho release, on DEMON, Jan-Henrik Ohme’s vocals are immaculate, and Thomas Andersen’s lyrics reach toward the highest of the high, the most beautiful of the most beautiful.
As with all of seven of their previous albums, on DEMON, the notes linger in a…
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Who is John Wesley? Hailing from Tampa, Florida, he’s an enormously talented guitarist and vocalist who has toured with Porcupine Tree, Fish, and Steven Wilson. Check out Porcupine Tree’s DVD, Anesthetize, to see how integral he was to their live show. As a matter of fact, after watching that DVD, I wondered why Steven Wilson didn’t go ahead and make Wesley an official member. His guitar playing and vocals added a new and exciting dimension to Wilson’s songs.
Approaching Wesley’s new solo work, I had low…
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