What then does our conservatism mean in 2020? What does it mean as statues tumble, as injustice reigns, and as anger seethes? What does it mean when our leaders seek not the common good, but mob-ish acceptance? What does it mean when our children are indoctrinated with racialism and collectivism rather than individualism and personalism?
At its essence, conservatism has not changed over the years. While the debates may be about a variety of things, the meaning of conservatism lies in understanding that, taken as a whole, our ancestors are not utter fools. The past for the conservative must remain the great laboratory of human experience, human knowledge, and human wisdom. The past is our depository of strength, our trust fund of morality. Now, more than ever, we must preserve what has come before us. Every statue torn down by the violent is a terrorist attack on our very civilization and our very strength as a people. Like the unsung heroes of Ray Bradbury’s Fahrenheit 451—the men and women who memorize each book burned by its society—we must remember and preserve our statues, our museums, and our cultural storehouses—even if only in our own minds and souls. Like those around the immortal Cato the Younger, we must become living embodiments of the virtues.
— Read on theimaginativeconservative.org/2020/07/conserving-2020-499-bradley-birzer.html
Experts on amphibious forces note the PLA already has powerful army units that are trained and equipped to make the kind of landings necessary for an invasion of Taiwan. In expanding the marines, they argue, PLA military planners are looking at operations across the globe, in places where China has extensive offshore investments. These commercial interests are likely to multiply as Beijing presses ahead with its Belt and Road Initiative, an ambitious bid to put China at the center of global trading routes.
— Read on www.reuters.com/article/us-china-military-amphibious-specialrepo-idUSKCN24L17B
Later, of course, we find the commandment to keep the seventh day holy and free from trials and corruption. As the tablets commanded:
Remember the sabbath day—keep it holy. Six days you may labor and do all your work, but the seventh day is a sabbath of the Lord your God. You shall not do any work, either you, your son or your daughter, your male or female slave, your work animal, or the resident alien within your gates. For in six days the Lord made the heavens and the earth, the sea and all that is in them; but on the seventh day he rested. That is why the Lord has blessed the sabbath day and made it holy.
Again, my words can add little to this, but it is quite clear that the Sabbath matters, and it matters intensely. In part (only in part, but an essential part, nonetheless), the human person must rest on the seventh day.
— Read on theimaginativeconservative.org/2020/07/learning-rest-bradley-birzer.html
From the beginning of our existence, we have known that, to the best of our ability, we must try to do both. Our inspiration—and this is not meant to sound pretentious, just honest—came from the two greatest institutions of the Middle Ages, the monastery and the university. The one protected the best behind thick walls and even denser prayer. The other promoted the best through inquiry and scholarship. At the beginning of the Middle Ages, though, the monastery was indispensable to the very survival of classical civilization in the West. As Christopher Dawson explained: “Ninety-nine out of a hundred monasteries could be burnt and the monks killed or driven out, and yet the whole tradition could be reconstituted from the one survivor, and the desolate sites could be re-peopled by fresh supplies of monks who would take up again the broken tradition, following the same rule, singing the same liturgy, reading the same books and thinking the same thoughts as their predecessors.” Those books were everything from Platonic dialogues to Holy Scripture, and every breath of every monk preserved the best of the past for those who would never know them and sadly, almost certainly not praise them for their innumerable sacrifices over a thousand years. Sacrifice there was… in abundance.
— Read on theimaginativeconservative.org/2020/07/the-imaginative-conservative-ten-years-preserving-advancing-bradley-birzer.html
Throughout his career, Bradbury spoke bravely and openly against “political correctness,” recognizing it for the evil and the tyranny it is. In 1953, it was against Joseph McCarthy. “Whether or not my ideas on censorship via the fire department will be old hat by this time next week, I dare not predict,” he wrote, but “when the wind is right, a faint odor of kerosene is exhaled from Senator McCarthy.” In the early 1990s, in Chronicles magazine, he stated: “Someone said to me recently, aren’t you afraid? No, I said, I never react in fear; I react in anger. As with graffiti, you must counterattack within the moment, not a day, a month, or a year later. All the politically correct terrorists must be driven back into the stands. There is no place for them in the open field of democratic ballplaying.”
In this dread year of our Lord, 2020, we have seen Killing Fields’ style public confessionals, policemen and politicians betraying their oaths to their respective communities, the wide-spread destruction of property, the killing of innocents, threats with the guillotine, and the tearing down of public monuments. Whether Bradbury is correct in assessing the government as a lesser danger than the mob, this much is certain: The mob hates dissent, hates liberty, hates individuality, hates personhood, hates God, and hates truth. Yes, there are traitors in our midst, more domestic than foreign.
— Read on theimaginativeconservative.org/2020/07/ray-bradbury-predicted-2020-bradley-birzer.html
First, the Declaration of Independence asserts at a profound and fundamental level the inherent dignity of every human person. “All men are created equal.” Never since the foundation of Christianity has such a proclamation been made at any practical and meaningful level. It is well worth noting and celebrating that neither Thomas Jefferson, the principle author, nor the Continental Congress insisted that all Europeans, or all whites, or all Protestants were equal. It states quite directly and with utter clarity, all men are created equal. Though the Founders did not always live up to that promise, they made the promise nonetheless. Better yet, they declared the promise had been made at the beginning of creation by the very Creator Himself. “They are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.” Again, this was about all men, not some men.
America might, in some way, shape, or form, still be attempting to secure these rights—the primary function of government, according to the Declaration of Independence—but attempting to secure them the American people have for 244 years.
— Read on theimaginativeconservative.org/2020/07/happy-birthday-america-bradley-birzer.html
Yet, was Columbus the first to discover America? Well, let’s leave aside the fact that at least three separate migrations of people in pre-history migrated to the Americas to become the Native American Indians. Obviously, we leave this aside merely for the sake of argument. Once, when my family visited Plymouth Rock, my oldest son looked down at the moment—a massive rock stamped 1620—and asked, “Dad, how did the Indians know that the Pilgrims would arrive in 1620”? A great question to be sure, and we too often—as Americans and as scholars—imagine the American Indians standing around, doing next to nothing, impatiently waiting for the Europeans to arrive so that their history might begin.
So, aside from this… there are actually five rivals to the claim about which non-American Indian discovered the Americas.
— Read on theimaginativeconservative.org/2020/06/who-actually-discovered-america-bradley-birzer.html
When Andrew Jackson delivered his famous (or infamous, depending on one’s point of view) veto message regarding the re-chartering of the Second Bank of the United States, his most adamant supporters labeled it “a second Declaration of Independence.” While Jackson’s message was excellent, it certainly was not at the level of the Declaration of Independence. In a less hyperbolic fashion, one pro-Jackson paper stated: in “the final decision of the President between Aristocracy and the People—he stands by the People.”
This newspaper statement is almost certainly true, but not everyone agreed that the president should ever stand “by the People.” The president’s job, they believed, was to execute the laws that the representatives of the People—through the House—had drafted into law. To proclaim himself the representative of the people was to violate all that was sacred in the Constitutional understanding of the American Founders as expressed in Article II of that glorious document. Even the most adamant supporter of a strong executive, Alexander Hamilton, had feared that Article II might be the “fetus of monarchy.” To the opponents of Jackson, he had crossed a line that should never have been approached. One opposition paper proclaimed, not without justice: “the King upon the Throne: The People in the Dust!” Other papers mocked Jackson as a monarch, a king, and a dictator. All critics came together and began to refer to the president as “King Andrew,” and one of the most important political cartoons of that age depicted an old and wary man, sitting on his throne, with his feet resting on a shattered constitution.
— Read on theimaginativeconservative.org/2020/06/odd-history-whig-party-bradley-birzer.html
Greta Gerwig’s big-screen adaptation of Little Women offers an emphasis on women’s economic independence that has precipitated some protest from purists, who correctly point out that such moments as Amy’s “marriage is an economic arrangement” speech are not in Louisa May Alcott’s novel. What such criticism misses, however, is the reminder Ms. Gerwig’s script provides of just how central the story of Little Women is to the American literary landscape. Since the novel’s publication in 1868, the four March sisters and their neighbor Laurie have lived in the imaginations of generations of Americans and readers across the globe, inspiring plays, musicals, movies, television series, and even Japanese anime. Each adaptation maintains the broad strokes of the story but alters the details to emphasize, and sometimes completely reimagine, the moral of the story. Ms. Gerwig’s retelling of Little Women maintains the major aspects of Alcott’s beloved novel, but rearranges them to serve as a commentary on the very real lack of economic opportunities available to middle- and upper-class women (really, the genteel poor) in nineteenth-century America.
— Read on theimaginativeconservative.org/2020/06/economics-marriage-greta-gerwig-little-women-dedra-mcdonald-birzer.html
Over the past several weeks, the questions of time have been everywhere in my life. Driving with my wife and oldest son to New Mexico (from Michigan), I saw family, family grave yards, family churches, family homes, and family land. Time became centered, even in its plurality.
I also encountered a myriad cultures—such as that of the Navajo and the Pueblo—of which I have really only read. In the deserts of the Southwest are the modern peoples, all residing in a delicate balance with a desiccated landscape, and that landscape is not merely horizontal but vertical, reaching back to the nomads, the Anasazi, and the Aztecs of many, many generations ago. Every juniper tree reveals a stark contrast between the soil, in which it clings, and the deep blue sky, to which it reaches. Every building reflects hundreds and thousands of years of traditions as well as innovations. Mesas as well as historical markers populate the landscape. Should it surprise any of us that Huxley made is one anti-modernist reservation in his Brave New World, New Mexico, or that Willa Cather had her aristocrat-hero, Bishop Latour, build his cathedral in Santa Fe, or that Walter Miller placed his one point of certainty—the abbey dedicated to St. Leibovitz—in the brush country near Taos?
— Read on theimaginativeconservative.org/2020/05/time-our-present-whirligig-bradley-birzer.html
Permanent Waves was an especially important album for Rush in a few ways. It came out a mere two weeks into 1980, making it one of the initial progressive rock forays into the new decade. It was their first record recorded at Le Studio in Quebec, where they would continue to create for many years. What’s more, it signified the start of the Canadian trio’s transition away from trademark stylistic components like prolonged track durations, impenetrable arrangements, and fantastical lyricism and toward more concise and accessible radio-friendly hits with relatable messages. Naturally, its follow-up, 1981’s Moving Pictures, would cement that move by becoming arguably their most popular album, jump-started by their most widely beloved tune, “Tom Sawyer”.
— Read on www.popmatters.com/rush-permanent-waves-40-aaniversary-2646071873.html
But it’s as Jiff that Murphy gets his biggest laughs. Here is a man so grateful to be in a film, so disbelieving that he has been singled out for stardom, that he dutifully risks his life to walk across a busy expressway. Murphy shows here, as he did in “The Nutty Professor” and on “Saturday Night Live,” a gift for creating new characters out of familiar materials. Yes, Jiff looks like Kit (that’s why he got the job as a double), but the person inside is completely fresh and new, and has his own personality and appeal. Although Murphy is not usually referred to as a great actor (and comedians are never taken as seriously as they should be), how many other actors, however distinguished, could create Jiff out of whole cloth and make him such a convincing and funny original? Martin is also at the top of his form, especially in an early scene where he pitches his project to a powerful studio executive (Robert Downey Jr.). Martin steals a suit and a car to make an impressive entrance at the restaurant where Downey is having a power lunch, but undercuts the effect a little by ripping out the car phone and trying to use it like a cell phone–staging a fake call for Downey to overhear. Downey handles this scene perfectly, right down to his subdued double-take when he sees the cord dangling from the end of the phone. His performance is based on the truth that strange and desperate pitches are lobbed at studio suits every day, some of them no more bizarre than this one. Instead of overreacting to Martin’s craziness, Downey plays the scene to humor this guy
— Read on www.rogerebert.com/reviews/bowfinger-1999