Ironically, one of Hersey’s talents lay in his ability to focus on people. In The Algiers Motel Incident, he focused on the victims of police brutality. In The Wall, he told the story of resisters in the Warsaw ghetto. In Hiroshima, Hersey wrote about six people, what they were doing when the atomic bomb fell, and how they were affected by the destruction it sowed.
As Treglown shows, Hersey was a “war poet as much as a journalist.” Although he did not write poems per se, reading Hersey, one sees how he transferred his musical ability and feel for rhythm to the sound of words.
Hersey’s understanding of the power of imagery shines through his opus — especially in Hiroshima. Treglown says the book showcases Hersey’s “startling intimacy with the people he writes about” and his innate sensitivity for language. Even the title of the first section, “A Noiseless Flash,” suggests Hersey’s appreciation for the image.
— Read on www.nationalreview.com/2019/06/book-review-mr-straight-arrow-biography-john-hersey/