There are music labels, and there are
labels. By which I mean: occasionally a label appears that maintains such a high quality roster of artists, and its production is so consistently excellent, that discerning listeners will buy anything that label releases. 4AD (home of Cocteau Twins, Dead Can Dance, Lush, and This Mortal Coil, among others) was such a label for many music fans in the ’80s and ’90s. ZTT was another, with its over-the-top Trevor Horn productions, and copious and entertaining liner notes that more often than not baffled rather than illuminated the reader.
In this decade, KScope has become the go-to label for fans of edgy and intelligent music. One of my first posts (back in 2012) on Progarchy was a brief overview of KScope’s roster of “post-progressive” artists. Since then, they have expanded their offerings to include many new artists, and the latest star in their…