An Edwardian Trip through Hades: CAPACITOR by COSMOGRAF

bradbirzer's avatarProgarchy

Stunning album cover.  A progged-out version of Dolby's GOLDEN AGE OF WIRELESS.  Brilliant. Stunning album cover. A progged-out version of Dolby’s GOLDEN AGE OF WIRELESS. Brilliant.

Cosmograf’s CAPACITOR is everything a rock album should be.  And, I do mean EVERYTHING.  EVERY.  SINGLE. THING.  It is wholesome, fractured, creepy, uplifting, contemplative, mythic, existentialist, moving, intense, wired, dramatic, contemplative, Stoic, mystifying, weird, satisfying, honed, nuanced, dark, and light.

The Meaning of It All

If I could capture the album in one sentence, comparing it to other forms of art, I would and will put it this way: CAPACITOR is an Edwardian journey into the Hades of the Ancient Greeks but emerging in BIOSHOCK.

Then, think about the artists involved.  Andy Tillison plays keyboards on it.  Matt Stevens plays guitar on it.  Nick Beggs and Colin Edwin play bass on it. NVD plays all of the drums. Our modern master of sound, Rob Aubrey, the Phill Brown of our day, engineered it.

Then, of course, there’s…

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